what to look for in a camera bag – buying guide to the ultimate camera bag
There are memory cards, batteries, and possibly additional lenses, flash lights and other devices, not to mention car keys, business cards, mobile phones and other things like user manuals.
Once you start thinking about some sort of bag with gear, the problem comes up, \"What kind of camera should I get?
\"This article provides some insight into how to buy a camera bag and what to look for in its structure.
First of all, let\'s take a look at the selection of materials.
The bags bag is usually made of materials such as leather, canvas or tear-proof nylon.
These have advantages and disadvantages.
Leather bags are often expensive, durable and good-looking.
Canvas fits well with the body, but can be rough and less durable.
Tear-proof nylon is probably the most common fabric for camera bags.
It is strong and nice with all kinds of colors, not as expensive as leather.
There are some important things to look for in terms of quality construction.
First of all, the camera strap should be wrapped around the bottom of the bag all the time, not just on the side.
It should be sewn in at key points with a box needle (
Think about an X box inside).
This is a very strong connection point when done correctly.
The attachment point of the stitch is stronger than the rivet or cable ring.
Look for flaps that are not just covering the main compartment or bag opening, but extend to the opening and side an inch or more so the rain doesn\'t come in.
Filling and buffering: There are two basic methods for filling phase bag.
One method requires a maximum buffer around the bag and in the lens compartment.
Another view is to provide a buffer for the inside of the bag, not for the wall or bottom of the bag.
The idea behind this approach is to create a smaller and lighter bag than the traditional full buffer method.
Features: Nowadays, many bags come with built-in bag raincoats, and some even come with built-in ultra-slim cloth to clean the lens.
Other useful features include clips for storing keys, and even identity cards or wrap bags.
Of course, a variety of bags and compartments are also needed.
Speaking of which, the compartment is usually created by a removable Velcro partition so that the owner can change the configuration of the bag.
Some product lines are even designed to accept accessory bags so you can add extra space when you need it, but travel with lighter bags when you don\'t need it.
Bags in the digital age also tend to provide bags or shells for memory cards and batteries.
Off: Good package offers quick off options and a safer option.
When you\'re out shooting, the quick turn off option is good and would like to be able to get things out of the bag while you\'re taking pictures.
This is usually done with a simple Velcro strap, and sometimes its plastic clips can do the same.
The safe option is for longer storage times such as when you put the package in the evening or longer.
These are usually metal clips or even zippers.
There are all kinds of shapes and sizes for the camera.
Let\'s take a look at the common styles: Shoulder-
This is the most common and traditional bag style with a wide variety of fabrics, colors, sizes and designs.
Shoulder bags provide a great starting point to find not only in camera shops, but also in department stores and souvenir shops.
The quality of these bags will be very different, so check it carefully before purchasing. LowePro, M-
Rock, think tank photos, Tamrac, Kata and Domke are just some of the more well-known bag manufacturers, but there are other manufacturers as well.
This style of bag is a good choice for photographers who don\'t know what kind of bag they like. Sling bags —
These are similar to shoulder bags but designed to be worn on the bag and swing to the front of the shooter when needed, in contrast, the backpack is designed to hang on the opposite shoulder and ride on the shooter\'s hip.
The sling bag can apply less pressure on the shoulder and lower back than the shoulder bag. Belt pouches —
These bags are around the waist.
The photographer places it in the back until the photographer needs to get close to it.
It is then pulled to the waist in front of the shooter and into the gear compartment.
These bags are of different sizes.
Larger bags are usually equipped with accessory straps as full load of these bags is too heavy for the belt to provide adequate support.
These make it easier to carry a lot of gears, but also make it more difficult to get into that gear, because users either take the backpack down and put it on the ground to get the equipment, or have to find a helpful friend to retrieve the equipment.
Some shooters prefer to customize regular backpacks with foam pads or bags instead of backpacks that cost money or are designed for photographic equipment.
This is a very reasonable approach, especially if you don\'t have a lot of gear or are worried that the camera backpack will be an ideal target for thieves. Hard cases —
These devices are more suitable for storing equipment than for daily shooting, but they provide good protection if you do have storage or shipping equipment. Rolling bags —
These are great for traveling or if you have to manage a heavy burden.
Typically, these bags can be separated from the rolling cart section and turned into a shoulder bag. Messenger bag
When these packages try to run in a similar way, they go beyond the \"typical\" appearance of the bag.
The \"camouflage\" style bag is the same when trying to look like a bag or bag. Chest pouches —
These small bags are designed to carry a camera with a lens installed and sometimes a small second lens.
They can usually add an accessory bag or two.
These pouches can be well combined with the camera backpack so that users can easily use the camera and lens for most shots while still being able to pull other devices when the situation is needed.
Choosing the best camera option the final camera is a question for a different photographer.
Important considerations include how much equipment you have to carry, what kind of shooting you need to do, how much equipment you need, how fast you need to get it, and whether your equipment needs a lot of protection.
Depending on how many devices you need to carry and how often you use them, choosing the best phase bag can be a very important thing.
Let you get the bags of the gear quickly while still providing reasonable protection, which is important for those shooters who use the gear.
On the other hand, hikers, backpackers and outdoor photographers may appreciate camera backpacks or chest and belt bags more effectively.
If you only use your gear once in a while, then a bag that can be used as a safe storage tool is a good idea.
The ability to securely zip the main compartment and maintain a good buffer will provide more protection for your device.
If you plan to do a lot of photography while traveling, it is also an important consideration to make sure that your camera meets the requirements of carrying your luggage with you.
Checking a valuable camera device is never a good idea and should be avoided if possible.
Look for multi-function bags that are also suitable for laptops or changing clothes.
In addition to providing a little extra buff, you will be prepared if your checked baggage is misplaced.